神马作文网有关余秋雨的英文介绍(带中文翻译)不需要很多字
来源：学生作业帮 编辑：神马作文网作业帮 分类：综合作业 时间：2024/09/22 09:32:07
有关余秋雨的英文介绍(带中文翻译)不需要很多字
因为上课需要给日本人介绍中国名人,我想介绍一下余秋雨,所以拜托大家啦!谢谢!!!
因为上课需要给日本人介绍中国名人,我想介绍一下余秋雨,所以拜托大家啦!谢谢!!!
Yu Qiuyu (in 1946 ~) Shanghai Play Institute professors, well-known writer.
Yu Qiuyu, Zhejiang Yu the Yao person, the mainland renowned esthetician and the writer, and once attained “the state-level contributed the expert prominently” the title, and held the post of many universities professor.In fact, must discuss Yu Qiuyu in the Chinese cultural circle status, really is easier said than done.This position and "Lives in seclusion the Chinese estheticians by "Cultural Bitter Travel" who Writes down" is well-known, has the critic reputation for the left hand-written prose, does not fall its superficially, the right hand writes the artistic theory, also does not lose its crabbedly difficult bright.
On take it "Cultural Bitter Travel" as the example, middle "Sand plain Hidden Spring", the only 2500 characters, describe the scenery purely the prose which and expresses feelings, writes like the poem like picture actually.This article primary coverage is the author in the sincere marsh county on the desert, alone a person crawls the human Shashan, then descends a mountain appreciates bay spring the process and sees feels.In the article, Yu Qiuyu is so describes beauty the Shashan: “The light and the shade are flowing out the division by the smoothest straight line, golden yellow and the black eyebrow coloring reddish brown all purely resulted in not in the least motley, likely uses the giant screen to sieve at the same time.The day and night wind, the mountain ridge, the hillside models surges, that is extremely the funds graceful even suitable wave, including a ripple grain ......” in the esthetician and writer's writing, “the light”, “the shade”, “the line” no longer is not some only pure is the theory does not have the life character word, but is can induce the author heart of hearts the phrase.
As for Yu Qiuyu's artistic theory work, also prepares the academic circles is taken and venerates.For example he published "Play Theory History Manuscript" in 1983, this book was mainland China first integrity explanation various countries from the ancient times to the modern cultural development and the play thought historical treatise work, after the publication the next year, namely will attain the Beijing nation first session play theory book reward, after ten years won the Beijing Ministry of Culture nation outstanding teaching material first award, but another published mainland China first play esthetics book reward in 1985, after ten years won the Beijing Ministry of Culture nation outstanding teaching material first award, but another published mainland China first play esthetics work in 1985 - "Play Esthetic Psychology", next year also will have the honor to receive the Shanghai philosophy social sciences book reward.Its academic obviously 12.
余秋雨（1946年~ ） 上海戏剧学院教授，知名作家。
余秋雨，浙江馀姚人，大陆著名美学家和作家，并曾获“国家级突出贡献专家”的称号，并担任多所大学的教授。事实上，要谈论余秋雨在中国文化界的地位，真是谈何容易。这位以《文化苦旅》和《山居笔记》闻名的中国美学家，有评论家誉之为左手写散文，不落其浅薄，右手撰述艺术理论，也不失其艰涩难明。
就以其《文化苦旅》为例，当中一篇《沙原隐泉》，仅两千五百字，纯粹写景和抒情的散文，却写得如诗如画。此文主要内容是作者在敦湟县内沙漠地上，独自一人爬人沙山，然后又下山欣赏一湾清泉的过程和所见所感。文中，余秋雨是如此描绘沙山之美：“光与影以最畅直的线条流泻着分割，金黄和黛赭都纯净得毫无斑驳，像用一面巨大的筛子筛过了。日夜的风，把山脊，山坡塑成波荡，那是极其款曼平适的波，不含一丝涟纹……”在美学家和作家的笔下，“光”、“影”、“线条”不再是一些只纯是理论没有生命的字词，而是能感应作者内心深处的字眼。
至于余秋雨的艺术理论著作，亦备受学术界重视和尊崇。例如他在1983年出版《戏剧理论史稿》，此书是中国大陆首部完整阐释世界各国自远古到现代的文化发展和戏剧思想的史论著作，在出版后次年，即获北京全国首届戏剧理论著作奖，十年后获北京文化部全国优秀教材一等奖，而另一本于1985年发表中国大陆首部戏剧美学著作奖，十年后获北京文化部全国优秀教材一等奖，而另一本于1985年发表中国大陆首部戏剧美学著作——《戏剧审美心理学》，次年亦荣获上海市哲学社会科学著作奖。其学术可见一二。
Yu Qiuyu, Zhejiang Yu the Yao person, the mainland renowned esthetician and the writer, and once attained “the state-level contributed the expert prominently” the title, and held the post of many universities professor.In fact, must discuss Yu Qiuyu in the Chinese cultural circle status, really is easier said than done.This position and "Lives in seclusion the Chinese estheticians by "Cultural Bitter Travel" who Writes down" is well-known, has the critic reputation for the left hand-written prose, does not fall its superficially, the right hand writes the artistic theory, also does not lose its crabbedly difficult bright.
On take it "Cultural Bitter Travel" as the example, middle "Sand plain Hidden Spring", the only 2500 characters, describe the scenery purely the prose which and expresses feelings, writes like the poem like picture actually.This article primary coverage is the author in the sincere marsh county on the desert, alone a person crawls the human Shashan, then descends a mountain appreciates bay spring the process and sees feels.In the article, Yu Qiuyu is so describes beauty the Shashan: “The light and the shade are flowing out the division by the smoothest straight line, golden yellow and the black eyebrow coloring reddish brown all purely resulted in not in the least motley, likely uses the giant screen to sieve at the same time.The day and night wind, the mountain ridge, the hillside models surges, that is extremely the funds graceful even suitable wave, including a ripple grain ......” in the esthetician and writer's writing, “the light”, “the shade”, “the line” no longer is not some only pure is the theory does not have the life character word, but is can induce the author heart of hearts the phrase.
As for Yu Qiuyu's artistic theory work, also prepares the academic circles is taken and venerates.For example he published "Play Theory History Manuscript" in 1983, this book was mainland China first integrity explanation various countries from the ancient times to the modern cultural development and the play thought historical treatise work, after the publication the next year, namely will attain the Beijing nation first session play theory book reward, after ten years won the Beijing Ministry of Culture nation outstanding teaching material first award, but another published mainland China first play esthetics book reward in 1985, after ten years won the Beijing Ministry of Culture nation outstanding teaching material first award, but another published mainland China first play esthetics work in 1985 - "Play Esthetic Psychology", next year also will have the honor to receive the Shanghai philosophy social sciences book reward.Its academic obviously 12.
余秋雨（1946年~ ） 上海戏剧学院教授，知名作家。
余秋雨，浙江馀姚人，大陆著名美学家和作家，并曾获“国家级突出贡献专家”的称号，并担任多所大学的教授。事实上，要谈论余秋雨在中国文化界的地位，真是谈何容易。这位以《文化苦旅》和《山居笔记》闻名的中国美学家，有评论家誉之为左手写散文，不落其浅薄，右手撰述艺术理论，也不失其艰涩难明。
就以其《文化苦旅》为例，当中一篇《沙原隐泉》，仅两千五百字，纯粹写景和抒情的散文，却写得如诗如画。此文主要内容是作者在敦湟县内沙漠地上，独自一人爬人沙山，然后又下山欣赏一湾清泉的过程和所见所感。文中，余秋雨是如此描绘沙山之美：“光与影以最畅直的线条流泻着分割，金黄和黛赭都纯净得毫无斑驳，像用一面巨大的筛子筛过了。日夜的风，把山脊，山坡塑成波荡，那是极其款曼平适的波，不含一丝涟纹……”在美学家和作家的笔下，“光”、“影”、“线条”不再是一些只纯是理论没有生命的字词，而是能感应作者内心深处的字眼。
至于余秋雨的艺术理论著作，亦备受学术界重视和尊崇。例如他在1983年出版《戏剧理论史稿》，此书是中国大陆首部完整阐释世界各国自远古到现代的文化发展和戏剧思想的史论著作，在出版后次年，即获北京全国首届戏剧理论著作奖，十年后获北京文化部全国优秀教材一等奖，而另一本于1985年发表中国大陆首部戏剧美学著作奖，十年后获北京文化部全国优秀教材一等奖，而另一本于1985年发表中国大陆首部戏剧美学著作——《戏剧审美心理学》，次年亦荣获上海市哲学社会科学著作奖。其学术可见一二。