英语翻译I don't know how I became a writer,but I think it was be
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英语翻译
I don't know how I became a writer,but I think it was because of a certain force in me that had to write and that finally burst through and found a channel.My people were of the working class of people.My father,a stone-cutter,was a man with a great respect and veneration for literature.He had a tremendous memory,and he loved poetry,and the poetry that he loved best was naturally of the rhetorical kind that such a man would like.Nevertheless it was good poetry,Hamlet's Soliloquy,Macbeth ,Mark Antony' s "Funeral Oration" ,Grey' s "Elegy" ,and all the rest of it.I heard it all as a child; I memorized and learned it all.
He sent me to college to the state university.The desire to write,which had been strong during all my days in high school,grew stronger still.I was editor of the college paper,the college magazine ,etc.,and in my last year or two I was a member of a course in playwriting which had just been established there.I wrote several little one-act plays,still thinking I would become a lawyer or a newspaper man,never daring to believe I could seriously become a writer.Then I went to Harvard,wrote some more plays there,became obsessed with the idea that I had to be a playwright,left Harvard,had my plays rejected,and finally in the autumn of 1926,how,why,or in what manner I have never exactly been able to determine.But probably because the force in me that had to write at length sought out its channel,I began to write my first book in London,I was living all alone at that time.I had two rooms-a bedroom and a sitting room-in a litter square in Chelsea in which all the houses had that familiar,smoked brick and cream-yellow-plaster look.
I don't know how I became a writer,but I think it was because of a certain force in me that had to write and that finally burst through and found a channel.My people were of the working class of people.My father,a stone-cutter,was a man with a great respect and veneration for literature.He had a tremendous memory,and he loved poetry,and the poetry that he loved best was naturally of the rhetorical kind that such a man would like.Nevertheless it was good poetry,Hamlet's Soliloquy,Macbeth ,Mark Antony' s "Funeral Oration" ,Grey' s "Elegy" ,and all the rest of it.I heard it all as a child; I memorized and learned it all.
He sent me to college to the state university.The desire to write,which had been strong during all my days in high school,grew stronger still.I was editor of the college paper,the college magazine ,etc.,and in my last year or two I was a member of a course in playwriting which had just been established there.I wrote several little one-act plays,still thinking I would become a lawyer or a newspaper man,never daring to believe I could seriously become a writer.Then I went to Harvard,wrote some more plays there,became obsessed with the idea that I had to be a playwright,left Harvard,had my plays rejected,and finally in the autumn of 1926,how,why,or in what manner I have never exactly been able to determine.But probably because the force in me that had to write at length sought out its channel,I began to write my first book in London,I was living all alone at that time.I had two rooms-a bedroom and a sitting room-in a litter square in Chelsea in which all the houses had that familiar,smoked brick and cream-yellow-plaster look.
我不知道我是怎么变成一个作家,但我认为这是由于某种力在我不得不写那最后冲破,发现一个通道.我的人是工人阶级的人.我的父亲,一个stone-cutter,是一个男人和一个伟大的尊重和尊敬.他有一个巨大的记忆,和他所爱的诗歌,他最喜爱的诗很自然的修辞的那种这样一个男人想.然而它是好诗,哈姆雷特的独白;麦克白、马克.安东尼的葬礼演说”,灰色的悼亡诗”,其余的一切.我听到这一切,我记下了作为一个孩子,学会了这一切.
他叫我去大学州立大学的.想写,已经被强烈的日子,我在高中的时候,发展壮大.我的编辑,在大学学院杂志,等.和我去年一年或二年的一员,我是一个过程,在playwriting刚刚成立.我写了几个小部独幕剧,还以为我会成为一名律师或报纸的人,始终不敢相信我可以成为一个作家.然后我去哈佛,写了几部,着迷于这个想法,我不得不在一个剧作家,离开哈佛的时候,有我的戏剧拒绝了,终于在1926年的秋天如何,为什么还是以何种方式,我从来没有完全能够确定.但或许因为力量在我不得不写在长度上寻找它的渠道,我开始写我的第一本书在伦敦,我独自一人生活.我有两个rooms-a卧室和客厅room-in一窝在切尔西在广场的房屋都熟悉、烟熏砖和cream-yellow-plaster看.
他叫我去大学州立大学的.想写,已经被强烈的日子,我在高中的时候,发展壮大.我的编辑,在大学学院杂志,等.和我去年一年或二年的一员,我是一个过程,在playwriting刚刚成立.我写了几个小部独幕剧,还以为我会成为一名律师或报纸的人,始终不敢相信我可以成为一个作家.然后我去哈佛,写了几部,着迷于这个想法,我不得不在一个剧作家,离开哈佛的时候,有我的戏剧拒绝了,终于在1926年的秋天如何,为什么还是以何种方式,我从来没有完全能够确定.但或许因为力量在我不得不写在长度上寻找它的渠道,我开始写我的第一本书在伦敦,我独自一人生活.我有两个rooms-a卧室和客厅room-in一窝在切尔西在广场的房屋都熟悉、烟熏砖和cream-yellow-plaster看.
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