英语翻译4． 具有艺术审美价值它包含两方面意思,即翻译本身的艺术性和译名的艺术性.斯坦纳（cf.金堤,1998：4）认为

英语翻译
4． 具有艺术审美价值
它包含两方面意思,即翻译本身的艺术性和译名的艺术性.斯坦纳（cf.金堤,1998：4）认为,翻译是“一门不折不扣的艺术.”电影片名的翻译也是如此,因为它是译者以被译电影为依据而进行的一种创造性活动.另外,随着生活水平提高,人们的审美水平也在不断提高,客观上要求译名具有艺术性,可供欣赏,引起共鸣.好的译名传递着“美”的信息,常引起观众遐想,有先睹为快的强烈欲望.Gone With the Wind,It Happened One Night,the Secret Agent分别被译为“乱世佳人”、“一夜风流”和“间谍末日”,可谓其中的代表.从译文可看出,译名言简意赅,字里行间传递了强烈的信息,且具有音韵之美,这是汉语文化的一大特点.要达到以上标准,译者须有很高的汉语文字造诣.
笔者以为,以上四种原则是电影片名翻译中应遵循的基本原则.但这并不是说,翻译每部电影的片名时,都得将它们一一对号入座.事实上,这几乎不可能.
五、 结语
翻译是从一种符号转换到另一种语言符号的再创造活动.翻译的实质,是双语间意义的对应转换.不可否认,当前片名在这意义转换的过程中,存在良莠不分的现象,但因各个译者自身水平、经验、审美观点不同,译名质量自有高低之分.但笔者认为,为充分发挥译者的创造性,可允许多种译名同时存在.第一、就翻译的共时角度而言,这种解读同样作品由不同理解产生的诠释或许都有其全理性,都有积极的一面,符合水平不同读者的需要.第二、随着历史的发展,过去和现在人们解读同一部电影时的审美标准也了生了变化.若非某片名已被广泛接受,将一些片名再译以符合当代人的审美情趣,也是可接受的.当然经典的译名已深入人心,若非确定有把握,改译、另译似已无必要.但译名多了,为避免造成混乱,应在括号内加以注明.Gone With the Wind先被译为“乱世佳人”,而后为“飘”,就是最好的例子.

4. Art has the aesthetic value
It contains two meaning, that is, the translation itself and the artistic translation of the art. Steiner (cf. Gimje, 1998:4) believe that the translation is "an out-and-out art." Translate the film's title is true, because it is the translator to translate the film was based and carried out by a Kind of creative activity. In addition, as the standard of living, people's aesthetic standards are rising, the objective requirements have been translated into art for appreciation, resonate. Have been translated into a good pass, "the United States", the audience often reverie, there is a strong desire to see in advance. Gone With the Wind, It Happened One Night, the Secret Agent were translated as "Gone with the Wind" and "It Happened One Night" and "espionage doomsday", which can be described. Yes, we can see from, have been translated into concise, between the lines transmit a strong message and music with the beauty of this is a major Chinese cultural characteristics. To achieve the above criteria, the translator must be highly versed in Chinese characters.
I think, more than four principles are translated film titles to be followed in the past. However, this does not mean that every film translation of the title, one by one they will have to sit in the right seats. In fact, it is almost impossible.
V. Conclusion
Translation is a symbol conversion from one language to another symbol of the re-creation activities. Translation of the essence, is a bilingual significance between the corresponding conversion. It is undeniable that the current title in this sense in the process of conversion, Liang You regardless of the existence of the phenomenon, but their translator in all levels of experience, the aesthetic point of view, the quality of translation of its own hierarchy. However, I believe that, in order to give full play to the creativity of the translator, can be allowed to have been translated into a number of the case. First, when they were translated on the point of view, this interpretation of the same works have a different understanding of the interpretation may have its wholly rational, there is a positive side, in line with the level of different audiences. The second, with the history of development, past and present, people interpret the same film at the time of the aesthetic standards of Health has changed. If a title is widely accepted, some of the titles will be re-translated in order to meet the contemporary aesthetics of human life and is also acceptable. Of course, the classic has been translated into people, to determine if there is sure to translate, and the other appears to have no translation necessary. However, have been translated into more, in order to avoid confusion, should be marked in brackets. Gone With the Wind was first translated as "Gone with the Wind" and then "Gone with the Wind" is the best example.