神马作文网英语高手们 谁能帮我翻译翻译吧
来源：学生作业帮 编辑：神马作文网作业帮 分类：英语作业 时间：2024/09/29 16:31:01
英语高手们 谁能帮我翻译翻译吧
Landscape architecture, as it is practised today, is quite distinct from its historical roots in landscape gardening, and it is on a course that is still evolving. At its most basic level, it is still about building landscapes for inhabitation and sustaining the human species. However, the great advances of knowledge and technology through the last two centuries have completely changed our relationship with the land. One
of the greatest paradoxes of our day, perhaps, is that while we have never known more about natural systems, we have never in history done more damage to them. There is now almost no place on Earth that we have not changed or affected in some way. Landscape architecture is increasingly responding to the realisation that we are living in a world that is very much of our own making, and if we are to save it for the future, it will require a great deal more making and less destroying.
People have always left their mark on the 15 landscape, from the earliest cave paintings to great feats of engineering such as Stonehenge. While we shape landscapes, we are at the same time the product of these places. In an urbanised world, we are more and more the product of city landscapes. As with rural landscapes, no two cities are alike. A forest dweller is as different from a desert nomad as a Parisian is from anAthenian.
It is in the landscape that all the interconnected forces of our existence come together. The ability to arrive at an enlightened design and strategy that recognises the uniqueness of individual places while understanding their place in larger systems is thus a crucial skill. Landscape architecture is growing to meet this challenge – it is building
upon its past to create a better future for all.
Landscape architecture, as it is practised today, is quite distinct from its historical roots in landscape gardening, and it is on a course that is still evolving. At its most basic level, it is still about building landscapes for inhabitation and sustaining the human species. However, the great advances of knowledge and technology through the last two centuries have completely changed our relationship with the land. One
of the greatest paradoxes of our day, perhaps, is that while we have never known more about natural systems, we have never in history done more damage to them. There is now almost no place on Earth that we have not changed or affected in some way. Landscape architecture is increasingly responding to the realisation that we are living in a world that is very much of our own making, and if we are to save it for the future, it will require a great deal more making and less destroying.
People have always left their mark on the 15 landscape, from the earliest cave paintings to great feats of engineering such as Stonehenge. While we shape landscapes, we are at the same time the product of these places. In an urbanised world, we are more and more the product of city landscapes. As with rural landscapes, no two cities are alike. A forest dweller is as different from a desert nomad as a Parisian is from anAthenian.
It is in the landscape that all the interconnected forces of our existence come together. The ability to arrive at an enlightened design and strategy that recognises the uniqueness of individual places while understanding their place in larger systems is thus a crucial skill. Landscape architecture is growing to meet this challenge – it is building
upon its past to create a better future for all.
造景建筑学发展至今已与其历史根源——造景园艺大庭相径.造景建筑的基本出发点仍旧是人类居所的建造和种族的延续.但上两个世纪的知识技术巨大进步完全改变了我们与土地之间的关系.这里最大的矛盾也许就是：我们对自然系统的认识不比别的种族多,而我们对它的破坏确不比它们少.在地球上已没有哪里的土地没被我们改变或以某种方式影响过了.造景建筑学不断回应着这样一个现实：我们生活在一个大部分是自己建造起来的世界,而如果我们想把这个世界留以后世,那我们需要更多的建造而更少的毁坏.
人们经常在周围的环境中留下标记,从最早的岩画到巨大的工程壮举如巨石阵俱是如此.当我们改造陆地时,我们同时也成为这里的产物.在城市化的世界,我们渐渐成为城市这种‘园林形式’的产物.正如城市与农村一样,城市与城市之间也不尽相同.丛林居民与沙漠游民不同,正如巴黎人与雅典人不同.
正是在园林建筑中,我们的存在（感）产生的吸引力得以聚合在一起.因此,明白一个园林（地点）在更大范围内位置的同时又能通过其独具匠心的设计和布局而体现到其唯一性是一个很重要的技术.造景建筑学正是应此挑战而成长起来的——尽管（不知对不对）是在不堪的过去上建造未来.
Ps：分少了点,
人们经常在周围的环境中留下标记,从最早的岩画到巨大的工程壮举如巨石阵俱是如此.当我们改造陆地时,我们同时也成为这里的产物.在城市化的世界,我们渐渐成为城市这种‘园林形式’的产物.正如城市与农村一样,城市与城市之间也不尽相同.丛林居民与沙漠游民不同,正如巴黎人与雅典人不同.
正是在园林建筑中,我们的存在（感）产生的吸引力得以聚合在一起.因此,明白一个园林（地点）在更大范围内位置的同时又能通过其独具匠心的设计和布局而体现到其唯一性是一个很重要的技术.造景建筑学正是应此挑战而成长起来的——尽管（不知对不对）是在不堪的过去上建造未来.
Ps：分少了点,